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A | Filmfare returned with the 6th edition of the Filmfare OTT Awards to honour the finest artistes, directors, storytellers, musicians and technicians from OTT series, web original films and short films. The grand awards ceremony, held on December 15, 2025, saw some of the best names take home the prestigious Black Lady. The Best Series Award went to Black Warrant while Paatal Lok bagged the Best Series, Critics' Award. Monika Panwar won in the Best Actor Series (Female): Drama category for her role in the spine-chilling Khauf while Jaideep Ahlawat won the Best Actor, Series (Male): Drama award for the gritty Paatal Lok. Barun Sobti and Sparsh Shrivastava were joint winners in the Best Actor Series (Male): Comedy category for Raat Jawaan Hai and Dupahiya, respectively. Ananya Panday bagged the Best Actor, Series (Female): Comedy award for for Call Me Bae. Here are the winners of Filmfare OTT Awards 2025, co-powered by Hyundai and Blenders Pride. In This Article BEST SERIESBEST DIRECTOR, SERIESBEST SERIES (CRITICS')BEST DIRECTOR: SERIES (CRITICS')BEST ACTOR, SERIES (MALE): DRAMABEST ACTOR (MALE), SERIES, CRITICS': DRAMABEST ACTOR, SERIES (FEMALE): DRAMABEST ACTOR (FEMALE), SERIES, CRITICS': DRAMABEST COMEDY (SERIES/SPECIALS)BEST ACTOR, SERIES (MALE): COMEDYBEST ACTOR, SERIES (FEMALE): COMEDYBEST SUPPORTING ACTOR, SERIES (MALE): DRAMABEST SUPPORTING ACTOR, SERIES (FEMALE ): DRAMABEST SUPPORTING ACTOR, SERIES (MALE): COMEDYBEST SUPPORTING ACTOR, SERIES (FEMALE): COMEDYBEST (NON FICTION) ORIGINAL (SERIES/ SPECIAL)BEST FILM, WEB ORIGINALBEST DIRECTOR, WEB ORIGINAL FILMBEST WEB ORIGINAL FILM: CRITICS'BEST ACTOR, WEB ORIGINAL FILM (MALE)BEST ACTOR, WEB ORIGINAL FILM (FEMALE)BEST ACTOR (MALE) CRITICS' WEB ORIGINAL FILMBEST ACTOR (FEMALE) CRITICS' WEB ORIGINAL FILMBEST SUPPORTING ACTOR, WEB ORIGINAL FILM (MALE)BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (FEMALE)BEST STORY, SERIESBEST ORIGINAL SCREENPLAY, SERIESBEST ADAPTED SCREENPLAY, SERIESBEST DIALOGUE, SERIESBEST CINEMATOGRAPHER, SERIESBEST PRODUCTION DESIGN, SERIESBEST EDITING, SERIESBEST COSTUME DESIGN, SERIESBEST BACKGROUND MUSIC, SERIESBEST VFX, SERIESBEST SOUND DESIGN, SERIESBEST MUSIC ALBUM, SERIESBEST STORY (WEB ORIGINAL FILM)BEST ORIGINAL SCREENPLAY (WEB ORIGINAL FILM)BEST DIALOGUE (WEB ORIGINAL FILM)BEST CINEMATOGRAPHER (WEB ORIGINAL FILM)BEST PRODUCTION DESIGN (WEB ORIGINAL FILM)BEST EDITING (WEB ORIGINAL FILM)BEST BACKGROUND MUSIC (WEB ORIGINAL FILM)BEST SOUND DESIGN (WEB ORIGINAL FILM)BEST MUSIC ALBUM (WEB ORIGINAL FILM)BEST DEBUT DIRECTOR, SERIESBREAKTHROUGH PERFORMANCE BY A NEWCOMER (MALE), SERIESBREAKTHROUGH PERFORMANCE BY A NEWCOMER (FEMALE), SERIESBEST DEBUT DIRECTOR, WEB ORIGINAL FILMBREAKTHROUGH PERFORMANCE BY NEWCOMER (MALE), WEB ORIGINAL FILMBREAKTHROUGH PERFORMANCE BY NEWCOMER (FEMALE), WEB ORIGINAL FILMBEST SHORT FILM (PEOPLE'S CHOICE)BEST ACTOR (FEMALE), SHORT FILMBEST ACTOR (MALE), SHORT FILMBEST SHORT FILM (FICTION)BEST SHORT FILM (NON-FICTION OR DOCUMENTARY)BEST DIRECTOR, SHORT FILMBEST SERIES BLACK WARRANT BEST DIRECTOR, SERIES VIKRAMADITYA MOTWANE, SATYANSHU SINGH, ARKESH AJAY, AMBIECKA PANDIT AND ROHIN RAVEENDRAN (BLACK WARRANT) BEST SERIES (CRITICS') PAATAL LOK SEASON 2 BEST DIRECTOR: SERIES (CRITICS') ANUBHAV SINHA (IC 814: THE KANDAHAR HIJACK) NAGESH KUKUNOOR (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE) BEST ACTOR, SERIES (MALE): DRAMA JAIDEEP AHLAWAT (PAATAL LOK SEASON 2) BEST ACTOR (MALE), SERIES, CRITICS': DRAMA ZAHAN KAPOOR (BLACK WARRANT) BEST ACTOR, SERIES (FEMALE): DRAMA MONIKA PANWAR (KHAUF) BEST ACTOR (FEMALE), SERIES, CRITICS': DRAMA RASIKA DUGAL (SHEKHAR HOME) BEST COMEDY (SERIES/SPECIALS) RAAT JAWAAN HAI (SUMEET VYAS) BEST ACTOR, SERIES (MALE): COMEDY BARUN SOBTI (RAAT JAWAAN HAI) SPARSH SHRIVASTAVA (DUPAHIYA) BEST ACTOR, SERIES (FEMALE): COMEDY ANANYA PANDAY (CALL ME BAE) BEST SUPPORTING ACTOR, SERIES (MALE): DRAMA RAHUL BHAT (BLACK WARRANT) BEST SUPPORTING ACTOR, SERIES (FEMALE ): DRAMA TILLOTAMA SHOME (PAATAL LOK- SEASON 2) BEST SUPPORTING ACTOR, SERIES (MALE): COMEDY VINAY PATHAK (GRAM CHIKITSALAY) BEST SUPPORTING ACTOR, SERIES (FEMALE): COMEDY RENUKA SHAHANE (DUPAHIYA) BEST (NON FICTION) ORIGINAL (SERIES/ SPECIAL) ANGRY YOUNG MEN (NAMRATA RAO) BEST FILM, WEB ORIGINAL GIRLS WILL BE GIRLS BEST DIRECTOR, WEB ORIGINAL FILM SHUCHI TALATI (GIRLS WILL BE GIRLS) BEST WEB ORIGINAL FILM: CRITICS' BOMAN IRANI (THE MEHTA BOYS) BEST ACTOR, WEB ORIGINAL FILM (MALE) ABHISHEK BANERJEE (STOLEN) BEST ACTOR, WEB ORIGINAL FILM (FEMALE) SANYA MALHOTRA (MRS) BEST ACTOR (MALE) CRITICS' WEB ORIGINAL FILM VIKRANT MASSEY (SECTOR 36) BEST ACTOR (FEMALE) CRITICS' WEB ORIGINAL FILM PREETI PANIGRAHI (GIRLS WILL BE GIRLS) BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (MALE) DEEPAK DOBRIYAL (SECTOR 36) BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (FEMALE) KANI KUSRUTI (GIRLS WILL BE GIRLS) BEST STORY, SERIES SMITA SINGH (KHAUF) SUDIP SHARMA, ABHISHEK BANERJEE, RAHUL KANOJIA, TAMAL SEN (PAATAL LOK SEASON 2) BEST ORIGINAL SCREENPLAY, SERIES SUDIP SHARMA, ABHISHEK BANERJEE, RAHUL KANOJIA, TAMAL SEN (PAATAL LOK SEASON 2) BEST ADAPTED SCREENPLAY, SERIES SATYANSHU SINGH & ARKESH AJAY (BLACK WARRANT) BEST DIALOGUE, SERIES ANUBHAV SINHA & TRISHANT SRIVASTAVA (IC 814: THE KANDAHAR HIJACK) BEST CINEMATOGRAPHER, SERIES PANKAJ KUMAR (KHAUF) BEST PRODUCTION DESIGN, SERIES PRIYA SUHAAS, SURABHI VERMA (FREEDOM AT MIDNIGHT) BEST EDITING, SERIES TANYA CHHABRIA (KHAUF) BEST COSTUME DESIGN, SERIES AYESHA DASGUPTA (FREEDOM AT MIDNIGHT) BEST BACKGROUND MUSIC, SERIES ALOKANANDA DASGUPTA (KHAUF) BEST VFX, SERIES PHANTOM FX (KHAUF) BEST SOUND DESIGN, SERIES BIGYNA DAHAL (KHAUF) BEST MUSIC ALBUM, SERIES AKASHDEEP SENGUPTA (BANDISH BANDITS SEASON 2) BEST STORY (WEB ORIGINAL FILM) KARAN TEJPAL, GAURAV DHINGRA, SWAPNIL SALKAR (STOLEN) BEST ORIGINAL SCREENPLAY (WEB ORIGINAL FILM) AVINASH SAMPATH & VIKRAMADITYA MOTWANE (CTRL) BEST DIALOGUE (WEB ORIGINAL FILM) VIJAY MAURYA (AGNI) BEST CINEMATOGRAPHER (WEB ORIGINAL FILM) ISSHAAN GHOSH (STOLEN) BEST PRODUCTION DESIGN (WEB ORIGINAL FILM) ACROPOLIS, SUMIT BASU, SNIGDHA BASU & RAJNISH HEDAO (AGNI) BEST EDITING (WEB ORIGINAL FILM) JAHAAN NOBLE (CTRL) BEST BACKGROUND MUSIC (WEB ORIGINAL FILM) SNEHA KHANWALKAR (CTRL) BEST SOUND DESIGN (WEB ORIGINAL FILM) SUSMIT BOB NATH (STOLEN) BEST MUSIC ALBUM (WEB ORIGINAL FILM) JUSTIN PRABHAKARAN & ROCHAK KOHLI (AAP JAISA KOI) BEST DEBUT DIRECTOR, SERIES PUSHKAR SUNIL MAHABAL (BLACK, WHITE & GRAY- LOVE KILLS) BREAKTHROUGH PERFORMANCE BY A NEWCOMER (MALE), SERIES ANURAG THAKUR (BLACK WARRANT ) BREAKTHROUGH PERFORMANCE BY A NEWCOMER (FEMALE), SERIES LISA MISHRA (CALL ME BAE) BEST DEBUT DIRECTOR, WEB ORIGINAL FILM KARAN TEJPAL (STOLEN) ADITYA NIMBALKAR (SECTOR 36) BREAKTHROUGH PERFORMANCE BY NEWCOMER (MALE), WEB ORIGINAL FILM SHUBHAM VARDHAN (STOLEN) BREAKTHROUGH PERFORMANCE BY NEWCOMER (FEMALE), WEB ORIGINAL FILM ARRCHITA AGARWAL (DESPATCH) BEST SHORT FILM (PEOPLE'S CHOICE) DIVORCE DIRECTOR: RAAGHAV KANSAL BEST ACTOR (FEMALE), SHORT FILM FATIMA SANA SHAIKH FILM: AYESHA BEST ACTOR (MALE), SHORT FILM AYAN KHAN FILM: CHASHMA BEST SHORT FILM (FICTION) AYESHA DIRECTOR: NIHIT BHAVE BEST SHORT FILM (NON-FICTION OR DOCUMENTARY) LANGUR DIRECTOR: HAIDER KHAN BEST DIRECTOR, SHORT FILM RENUKA SHAHANE FILM: DHAAVPATTI Also Read: All Inside Pictures From The Filmfare OTT Awards 2025。
Zhou Jiang, a researcher at the Sichuan Academy of Social Sciences, has a favorite book: White Deer Tableland or Bai Lu Yuan by renowned writer Chen Zhongshi.
As vice president of the Regional Science Association of China (RSAC), Zhou told the Global Times that a lifetime of reading has profoundly shaped the way he sees and understands the world. It ultimately led him to a career in research and academia, where he teaches and pursues scholarly work.
Since earning his PhD in economics in 2000, he has devoted himself to the study of regional science and economics, a field that demands a constant crossing of disciplinary boundaries, drawing on the fields of geography, sociology, history, and ecology among others.
"Reading has kept alive my sense of curiosity and taught me to ask questions with patience and persistence: Where do disparities in regional development come from? How do policies affect different groups in society? And how can a region pursue both efficiency and equity so that development is not merely effective, but also imbued with a greater sense of humanity and warmth?" Zhou noted.
Founded in 1991, RSAC is a national academic society dedicated to advancing domestic and international academic exchange and cooperation, providing consulting services on spatial planning, urbanization, and regional development, and offering intellectual support for China's modernization drive.
The 57-year-old researcher noted that reading has empowered him in two distinct ways.
"The first is discernment. When confronted with a complex issue, I try not to settle for a simple conclusion. Instead, I make an effort to understand its broader context, how it has unfolded, and the perspectives of the different people involved," he said.
"The second is a sense of inner steadiness. Setbacks are an inevitable part of both life and work. Good books remind us that hardship is never ours alone to bear; countless people before us have faced circumstances more difficult than our own, made difficult choices, and found the strength to carry on. Reading cannot solve every problem for us, but it can help us remain calm when challenges arise, giving us the clarity and resilience that allow us not to panic or give up too easily," he said.
Historical depth
Each time Zhou returns to the White Deer Tableland, he finds something different in its pages.
"When I first read it as a young person, I was drawn primarily to the characters and the twists and turns of their lives. Later, as I began researching regional economics, I found myself paying closer attention to the changes in the land, the countryside, families and social order presented in the story. Now, approaching 60, I have come to appreciate more deeply the choices the characters make, the constraints they face, and the quiet perseverance they show amid the sweeping currents of their times," he said.
White Deer Tableland uses Bai Lu village in Northwest China's Shaanxi Province as a microcosm, tracing the feuds and intertwined fortunes of three generations of the Bai (literally meaning white) and Lu families. Through their stories, it captures more than half a century of sweeping historical change, from the final years of the Qing Dynasty (1644-1911) to the 1970s and 1980s. The novel won the Mao Dun Literature Prize, one of China's top literature awards, in 1997.
Zhou prefers literary works with historical depth and a keen eye for social change.
Regional economics may appear to be concerned with the spatial distribution of industries, population and resources, but at its heart, it is about how people live on a particular piece of land, and why some places flourish while others decline, he noted.
In this sense, literature and history are more than pastimes beyond professional research. They often help him understand the historical context, cultural traditions and social mentality that lie behind economic data, he said.
When reading novels, Zhou said that he often pays close attention to the relationship between people and the places they inhabit: How the land shapes the local character, how transportation transforms a region, and how shifts in industry reshape families and villages. Such details may not offer a direct conclusion, but they broaden a researcher's perspective. They also serve as a reminder that research should look beyond growth rates and statistical indicators to consider the sense of fulfillment experienced by ordinary people and the dignity of human beings.
Understanding ourselves
Once, while tidying his study, he came across a book filled with notes he had scribbled in his early years. Among them was a question that particularly caught his attention: "In the face of sweeping changes in the times and profound social transformation, what can a person truly determine for himself?"
Looking at those words he had written in his youth was like coming face to face with the person he had been decades ago.
Reading is not simply the act of understanding a book; it is also a record of a person's own growth, he said. The same book can reveal something entirely different when read at different stages of life.
When we are young, we turn to books in search of answers; but when we become seasoned, we read more to understand life, to understand others, and ultimately, to better understand ourselves, Zhou said.
In this era of fragmented information, AI can help people access information quickly, organize materials, and gain a basic understanding of unfamiliar fields. Yet deep reading, Zhou said, allows people to see how a conclusion is reached — what evidence supports it, where its boundaries lie, and what alternative interpretations it may invite.
What truly shapes a person, after all, is not how much information they have browsed, but the words that have made them pause and reflect - and the words that have remained with them for many years, he added.
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